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I don't worry too much about the fundamentalist principles that are in almost any discussion about Jazz.

Pat Metheny

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Pat Metheny
Age: 70
Born: 1954
Born: August 12
Composer
Guitarist
Jazz Guitarist
Jazz Musician
Music Pedagogue
Musician
Recording Artist
Songwriter
Lee's Summit
Missouri
Patrick Bruce Metheny
Pat Matheny
Fundamentalist
Discussion
Jazz
Principles
Worry
Almost
Music
Much

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I was able to work with the best musicians in Kansas City starting when I was really young
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I just have never seen anyone build anything significant in any field without having a deep and detailed sense of what they are building on.
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From 1962 to 1965, the guitar became this icon of youth culture, thanks mostly to the Beatles
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Jazz demands that you bring to it things that are valuable to you, that are personal to you.
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Players get to that intermediate level where they can already play pretty good, and that's kind of a dangerous period because they tend to start playing only the things that they can play, rather than the things they can't.
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...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
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Its more about conception and touch and spirit and soul than whether my hardware was in place.
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I love playing and working on music. It is something that I feel really lucky to be able to spend my life doing. And I don't sleep much!
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I hate the way chorus boxes sound
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If you plan on continuing a tradition, it might be a good idea to find out just what tradition it is that you intend to continue.
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Avant-garde, jazz, pop, classical, country and western, rock, free, straight-ahead, etc. are ultimately meaningless terms in the face of the music being discussed at best - at worst, those terms often serve as code words for what is in fact a cultural / political discussion more than a musical one.
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I think that the melodic piece of the puzzle in music is the most esoteric and difficult to quantify.
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I realized that equipment really had little to do with why I sound like the way I sound
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Somehow trumpet is the reference point for me it was actually my first instrument.
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The first thing I learned was the theme from Peter Gunn.
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Jazz is an idea that is more powerful than the details of its history.
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To me, there are lots of different stories to tell and you usually find the best way to tell the one you are telling once you are in it.
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What I look for in musicians is a sense of infinity
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I think I have a basic sound aesthetic that is in most of what I do
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I saw A Hard Day's Night 12 or 13 times.
Pat Metheny