It is not the pain and the wounds that are the worst. The worst is the humiliation.

When dictatorship is a fact, revolution is a duty!

Sometimes, we are afraid of something because we're afraid of something else.

[Vanity] is an unrecognised form of stupidity, you have to forget the cosmic meaninglessness of all our acts to be able to be vain and that's a glaring form of stupidity.

There were people who read and there were the others. Whether you were the a reader or a non-reader was soon apparent. There was no greater distinction between people.

I am still there, at that distant place in time, I never left it, but live expanded in the past, or out of it.

We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.

I love tunnels. They 're the symbol of hope: sometime it will be bright again. If by chance it is not night.

Our lives are rivers, gliding free to that unfathomed, boundless sea, the silent grave!

What is it that we call loneliness. It can’t simply be the absence of others, you can be alone and not lonely, and you can be among people and yet be lonely. So what is it?

We are stratified creatures, creatures full of abysses, with a soul of inconstant quicksilver, with a mind whose color and shape change as in a kaleidoscope that is constantly shaken.

I would not like to live in a world without cathedrals. I need their beauty and grandeur. I need their imperious silence. I need it against the witless bellowing of the barracks yard and the witty chatter of the yes-men. I want to hear the rustling of the organ, this deluge of ethereal notes. I need it against the shrill farce of marches.

When we talk about ourselves, about others, or simply about things, we want- it could be said – to reveal ourselves in our words: We want to show what we think and feel. We let other have a glimpse into our soul.

So, the fear of death might be described as the fear of not being able to become whom one had planned to be.

It wasn't only that you didn't see him anymore, meet him anymore. You saw his absence and encountered it as something tangible. His not being there was like the sharply outlined emptiness of a photo with a figure cut out precisely with scissors and now the missing figure is more important, more dominant than all others.

Kitsch is the most pernicious of all prisons. The bars are covered with the gold of simplistic, unreal feelings, so that you take them for the pillars of a palace.

Then there was a silence he had never before experienced: in it, you could hear the years.

That words could cause something in the world, make someone move or stop, laugh or cry: even as a child he had found it extraordinary and it never stopped impressing him. How did words do that? Wasn't it like magic?