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Early on it was much easier to play leads, but now independent movies are being co-opted by the studio system, and they want bigger names to guarantee more audience and more numbers.

Parker Posey

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Parker Posey
Age: 56
Born: 1968
Born: November 8
Actor
Character Actor
Film Actor
Film Actress
Mandolinist
Singer
Television Actor
Baltimore
Maryland
Parker Christian Posey
Easier
Movies
Opted
Numbers
Guarantee
System
Studio
Names
Leads
Audience
Independent
Play
Bigger
Much
Early

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I did do a presentation pilot with Jesse Eisenberg and he's wonderful. He's such a great writer. He directed me and he wrote these wonderful scripts and we're waiting to hear if marketers and advertisers think that an audience wants to look at a bad mom and her 10-year-old son in a show.
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An actor's career relies on a lot of luck. Being in the right place at the right time.
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As an actor in these movies you get to fill up something so much, to its capacity, and once you get there you're like a horse running onto the racetrack.
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It felt really good to kind of find my voice and say stuff, and to be funny, hopefully.
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I don't know what's going on with new media and digital stuff. It's all changing.
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You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.
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I haven't seen a bear in person. I've seen deer. I have lots of woodchucks on my property. And bluebirds. Foxes.
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I think Jesse Eisenberg is such a great writer. He was a great director and really tough.
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You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
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I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.
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My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.
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With Dazed and Confused I got the high school experience I didn't get to have. So you do create families and homes. You're projecting and it's your job. The amount of time and headspace and thought it takes on your psyche is huge. It's exhausting, yeah. And it's exhausting but it's also great.
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I don't want to sound like too much of a drama queen! But I'm not going to tell you, 'Oh, it's just so much fun.' It's work [working on film].
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It's overshadowed, the art. We're in a really argumentative, black-and-white-thinking culture right now. There's not a lot of time to take things in.
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Black eyeliner says 'You've been through stuff, you know things'.
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I think movies are now like going to a museum and seeing the latest exhibit - people just aren't going. It really is a dying art form. It feels frustrating.
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Chris Guest has his own form. It's a way of working that is really intense and you can commit a lot and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.
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I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
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I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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