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It's overshadowed, the art. We're in a really argumentative, black-and-white-thinking culture right now. There's not a lot of time to take things in.

Parker Posey

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Parker Posey
Age: 55
Born: 1968
Born: November 8
Actor
Character Actor
Film Actor
Film Actress
Mandolinist
Singer
Television Actor
Baltimore
Maryland
Parker Christian Posey
Take
Right
Argumentative
Really
Overshadowed
Things
White
Time
Culture
Thinking
Black
Art

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My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.
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You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
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I think movies are now like going to a museum and seeing the latest exhibit - people just aren't going. It really is a dying art form. It feels frustrating.
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I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.
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My first lead role was probably 'Party Girl' in 1994.
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I don't know what's going on with new media and digital stuff. It's all changing.
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As an actor in these movies you get to fill up something so much, to its capacity, and once you get there you're like a horse running onto the racetrack.
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It felt really good to kind of find my voice and say stuff, and to be funny, hopefully.
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I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
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I don't Twitter, although sometimes I think that I should.
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Black eyeliner says 'You've been through stuff, you know things'.
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You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.
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I don't want to sound like too much of a drama queen! But I'm not going to tell you, 'Oh, it's just so much fun.' It's work [working on film].
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I think Jesse Eisenberg is such a great writer. He was a great director and really tough.
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I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like
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Sometimes you're not in the best environment. Sometimes you're not speaking the same language and it's not a good place to work. It's a lot to give, actually. And for not a lot of money.
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The studios insisted that only stars could make movies successful. And that was the real disappointment of the time. You'd see great writer-directors in the '90s becoming part of a system where financiers and movie stars could change the material. I came along just before all that happened.
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I usually play character parts in Hollywood films.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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My dad recently reminded me that my grandfather's cousin was Lefty Frizzell.
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