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It's overshadowed, the art. We're in a really argumentative, black-and-white-thinking culture right now. There's not a lot of time to take things in.

Parker Posey

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Parker Posey
Age: 56
Born: 1968
Born: November 8
Actor
Character Actor
Film Actor
Film Actress
Mandolinist
Singer
Television Actor
Baltimore
Maryland
Parker Christian Posey
Things
Overshadowed
Time
White
Thinking
Culture
Black
Art
Take
Right
Really
Argumentative

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I think Jesse Eisenberg is such a great writer. He was a great director and really tough.
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I don't, really a fashionable person. I'm an actor, so I like costumes. But fashion is very popular now. Really overly popular. It's like New Age music in the '80s, or art. And then independent film. Now everyone's a fashion designer. It's had a big effect in New York, in our culture.
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My dad recently reminded me that my grandfather's cousin was Lefty Frizzell.
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An actor's career relies on a lot of luck. Being in the right place at the right time.
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With Dazed and Confused I got the high school experience I didn't get to have. So you do create families and homes. You're projecting and it's your job. The amount of time and headspace and thought it takes on your psyche is huge. It's exhausting, yeah. And it's exhausting but it's also great.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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Black eyeliner says 'You've been through stuff, you know things'.
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Time is weird in your twenties. It's intense, and you feel like it's running out. But you'll get to thirty and see you are still here on the planet.
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I don't Twitter, although sometimes I think that I should.
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Chris Guest has his own form. It's a way of working that is really intense and you can commit a lot and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.
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I utilize myself a lot more fully now. You get older so you have a lot more experience.
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My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.
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You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.
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I haven't seen a bear in person. I've seen deer. I have lots of woodchucks on my property. And bluebirds. Foxes.
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I don't know what's going on with new media and digital stuff. It's all changing.
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You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
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I sold my apartment this year. It's like, Wow, this is where the arts are now.
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I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.
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As an actor in these movies you get to fill up something so much, to its capacity, and once you get there you're like a horse running onto the racetrack.
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I did do a presentation pilot with Jesse Eisenberg and he's wonderful. He's such a great writer. He directed me and he wrote these wonderful scripts and we're waiting to hear if marketers and advertisers think that an audience wants to look at a bad mom and her 10-year-old son in a show.
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