Quote

In the '90s, indie movies could get financing, because financers gave money straight to directors... Now it's a different system. Indie movies got co-opted by the studio system.

Parker Posey

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Parker Posey
Age: 56
Born: 1968
Born: November 8
Actor
Character Actor
Film Actor
Film Actress
Mandolinist
Singer
Television Actor
Baltimore
Maryland
Parker Christian Posey
System
Indie
Money
Financing
Different
Studio
Studios
Straight
Directors
Gave
Movies
Opted

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I'm a grown-up and I'm a creative person so I should try to give something to that and see what I can make with that. And not sit around listening to people be like, 'You really should be on an HBO show. You'd be great on an Amazon series.' You're like, 'Thank you, okay. I don't have any offers.'
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As an actor in these movies you get to fill up something so much, to its capacity, and once you get there you're like a horse running onto the racetrack.
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I don't Twitter, although sometimes I think that I should.
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Early on it was much easier to play leads, but now independent movies are being co-opted by the studio system, and they want bigger names to guarantee more audience and more numbers.
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My dad recently reminded me that my grandfather's cousin was Lefty Frizzell.
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I did do a presentation pilot with Jesse Eisenberg and he's wonderful. He's such a great writer. He directed me and he wrote these wonderful scripts and we're waiting to hear if marketers and advertisers think that an audience wants to look at a bad mom and her 10-year-old son in a show.
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An actor's career relies on a lot of luck. Being in the right place at the right time.
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I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like
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I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.
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I sold my apartment this year. It's like, Wow, this is where the arts are now.
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Chris Guest has his own form. It's a way of working that is really intense and you can commit a lot and you focus a lot. You get to bring a lot. You get to bring things maybe you haven't seen before. You're asked to care a great deal for these people who you're playing and create heart and empathy.
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I'm having too good of a time.
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It felt really good to kind of find my voice and say stuff, and to be funny, hopefully.
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You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.
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You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
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I usually play character parts in Hollywood films.
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I utilize myself a lot more fully now. You get older so you have a lot more experience.
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Time is weird in your twenties. It's intense, and you feel like it's running out. But you'll get to thirty and see you are still here on the planet.
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I think movies are now like going to a museum and seeing the latest exhibit - people just aren't going. It really is a dying art form. It feels frustrating.
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I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.
Parker Posey