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In the '90s, indie movies could get financing, because financers gave money straight to directors... Now it's a different system. Indie movies got co-opted by the studio system.

Parker Posey

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Parker Posey
Age: 56
Born: 1968
Born: November 8
Actor
Character Actor
Film Actor
Film Actress
Mandolinist
Singer
Television Actor
Baltimore
Maryland
Parker Christian Posey
Studios
Straight
Directors
Gave
Movies
Opted
System
Indie
Money
Financing
Different
Studio

More quotes by Parker Posey

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I don't want to sound like too much of a drama queen! But I'm not going to tell you, 'Oh, it's just so much fun.' It's work [working on film].
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You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
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I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.
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I liked being able to portray a woman at this particular age and at this point in her life.
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I did do a presentation pilot with Jesse Eisenberg and he's wonderful. He's such a great writer. He directed me and he wrote these wonderful scripts and we're waiting to hear if marketers and advertisers think that an audience wants to look at a bad mom and her 10-year-old son in a show.
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It felt really good to kind of find my voice and say stuff, and to be funny, hopefully.
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The studios insisted that only stars could make movies successful. And that was the real disappointment of the time. You'd see great writer-directors in the '90s becoming part of a system where financiers and movie stars could change the material. I came along just before all that happened.
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I think movies are now like going to a museum and seeing the latest exhibit - people just aren't going. It really is a dying art form. It feels frustrating.
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Black eyeliner says 'You've been through stuff, you know things'.
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You know, it's a really adult thing, for some people, to choose to not be with the one that you love.
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Sometimes you're not in the best environment. Sometimes you're not speaking the same language and it's not a good place to work. It's a lot to give, actually. And for not a lot of money.
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My grandmother is this amazingly theatrical woman. She acted like a movie star, as far as looks and attitude, kind of like Susan Hayward.
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I'm a grown-up and I'm a creative person so I should try to give something to that and see what I can make with that. And not sit around listening to people be like, 'You really should be on an HBO show. You'd be great on an Amazon series.' You're like, 'Thank you, okay. I don't have any offers.'
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It's overshadowed, the art. We're in a really argumentative, black-and-white-thinking culture right now. There's not a lot of time to take things in.
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I haven't seen a bear in person. I've seen deer. I have lots of woodchucks on my property. And bluebirds. Foxes.
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Time is weird in your twenties. It's intense, and you feel like it's running out. But you'll get to thirty and see you are still here on the planet.
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I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like
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I utilize myself a lot more fully now. You get older so you have a lot more experience.
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My first lead role was probably 'Party Girl' in 1994.
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I don't know what's going on with new media and digital stuff. It's all changing.
Parker Posey