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In the '90s, indie movies could get financing, because financers gave money straight to directors... Now it's a different system. Indie movies got co-opted by the studio system.

Parker Posey

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Parker Posey
Age: 56
Born: 1968
Born: November 8
Actor
Character Actor
Film Actor
Film Actress
Mandolinist
Singer
Television Actor
Baltimore
Maryland
Parker Christian Posey
Directors
Gave
Movies
Opted
System
Indie
Money
Financing
Different
Studio
Studios
Straight

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It felt really good to kind of find my voice and say stuff, and to be funny, hopefully.
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My first lead role was probably 'Party Girl' in 1994.
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I'm a grown-up and I'm a creative person so I should try to give something to that and see what I can make with that. And not sit around listening to people be like, 'You really should be on an HBO show. You'd be great on an Amazon series.' You're like, 'Thank you, okay. I don't have any offers.'
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My dad recently reminded me that my grandfather's cousin was Lefty Frizzell.
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I think Jesse Eisenberg is such a great writer. He was a great director and really tough.
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I did do a presentation pilot with Jesse Eisenberg and he's wonderful. He's such a great writer. He directed me and he wrote these wonderful scripts and we're waiting to hear if marketers and advertisers think that an audience wants to look at a bad mom and her 10-year-old son in a show.
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Early on it was much easier to play leads, but now independent movies are being co-opted by the studio system, and they want bigger names to guarantee more audience and more numbers.
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Time is weird in your twenties. It's intense, and you feel like it's running out. But you'll get to thirty and see you are still here on the planet.
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I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like
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I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.
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I usually play character parts in Hollywood films.
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You're making a fantasy. You're making something real out of a fantasy. And then it no longer exists. It's heartbreaking to leave behind. I was devastated after Waiting for Guffman. I had never gotten so close to people I've worked with.
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It's overshadowed, the art. We're in a really argumentative, black-and-white-thinking culture right now. There's not a lot of time to take things in.
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You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
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I sold my apartment this year. It's like, Wow, this is where the arts are now.
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I haven't seen a bear in person. I've seen deer. I have lots of woodchucks on my property. And bluebirds. Foxes.
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An actor's career relies on a lot of luck. Being in the right place at the right time.
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As an actor in these movies you get to fill up something so much, to its capacity, and once you get there you're like a horse running onto the racetrack.
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I liked being able to portray a woman at this particular age and at this point in her life.
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The studios insisted that only stars could make movies successful. And that was the real disappointment of the time. You'd see great writer-directors in the '90s becoming part of a system where financiers and movie stars could change the material. I came along just before all that happened.
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