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Western conception of history has had great consequences over the last two hundred years. You see it in the invasion of Iraq. You see it in almost everything that is said and done.

Pankaj Mishra

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Pankaj Mishra
Age: 55
Born: 1969
Born: February 9
Author
Essayist
Journalist
Literary Critic
Writer
Years
Almost
Lasts
Invasion
Last
Conception
History
Consequences
Two
Consequence
Everything
Western
Done
Iraq
Great
Hundred

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In the modern world, nationalism remains a very important force. We delude ourselves into thinking that globalization has made all of that redundant and that everyone just wants to be like America.
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You need to work yourself up into some kind of a state every morning and believe that you are doing something terribly important upon which the future of literature, if not the world, depends. Buddhism tells you that this is just a foolish fantasy. So, I try not to think too much about Buddhism early in the morning. From noon on, I think about it.
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I think excessive rationality can be very dangerous. Certainly the kind of rationality we've seen in the last hundred years, and still see on a daily basis when Madeleine Albright says that it's all right, we have to live with the idea of hundreds of thousands of Iraqi children dying because it contains Saddam Hussein.
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We, especially those of us in depoliticized and pacified societies, need to cast a colder eye at our self-perceptions, now and in the past, as sentinels and embodiments of Enlightenment virtues of reason, dissent, and skepticism.
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The whole Hollywood conception of Tibet as this peace-loving country denies the complex humanity of the Tibetan people. Their ideas exist in a high degree of tension with impulses toward corruption, toward violence, toward all sorts of things. The Dalai Lama himself would say that he has to fight these impulses himself on a daily basis.
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As a novelist, your impulse is toward multiplicity: multiple voices, multiple perceptions, multiple nuances, the ambiguity in human communication. Fiction really is the ultimate home for that sense of ambiguity.
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The Buddha would not have liked people to call themselves Buddhist. To him that would have been a fundamental error because there are no fixed identities. He would have thought that someone calling himself a Buddhist has too much invested in calling himself a Buddhist.
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Buddhism has always been a religion for people who've worked their way through a cycle of materialism and still feel discontented and want more, or have questions that their state of prosperity is not answering.
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The ’60s was the last time when large groups of people in the West searched for alternative modes of being. In a society like India’s, which is still not fully modern or totally organized, and has a great deal of tolerance for otherness in general, they find the cultural license to try other things, to be whatever they want to be.
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The American writer is a very pampered figure - by foundations, by fellowships, by publishing advances. Even though I am not American, I have been pampered enough myself to know how it can make your life too frictionless.
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Once you empower people and say,' Here you are, now you get to dream the great dream of becoming a full citizen with equal rights and radical improvement in your living situation,' you are creating an illusion which will break one day.
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The asymmetries of power that have shaped relations between the West and the rest of the world also exist in the realm of literary criticism.
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Christianity and Islam are concerned with the idea of justice, which can turn into political justice, social justice, economical justice, and so on. Buddhism is not so concerned with the idea of rights. There is more talk of responsibility than of demanding rights.
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What happens when we examine the claims made for Western liberalism as a universalizing ideology of tolerance, human dignity, equality, and compassion is the fact that the patron saint of modern liberalism, John Stuart Mill, thought that barbarian peoples like the Indians were unfit for self-rule.
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I myself, at one time, wanted to be like the explorers of the Himalayas that I used to read about people intoxicated on the myth of history.
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I think the Buddha presents an image of someone who believes in self-control. I think he's offering, perhaps, a critique of the romantic idea of the passions being this wonderful source of life or vitality that define you or your writing.
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We have so few unaffiliated public intellectuals now - people who are not beholden to a think tank, corporate-owned media, or academic department - and even many literary writers look and behave like young urban professionals and canny careerists.
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I feel very privileged to get to read and write and not to have to do things that I don't like, and I don't want to give that up. Everything else is just a bonus and often a distraction from the writing, reading, and traveling that gives me the most pleasure.
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I don't think of myself as particularly earnest. I have long bouts of cynicism and skepticism. So much of my early life was full of uncertainties. It still is. My Buddha book expresses that. Perhaps that's what created this impression of earnestness.
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To think that land reform is going to somehow automatically create an equitable system, I think that's just wrong. It's a very technical view of the world.
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