Quote

Different themes inevitably require different methods of expression. This does not imply either evolution or progress it is a matter of following the idea one wants to express and the way in which one wants to express it.

Pablo Picasso

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Pablo Picasso
Age: 91 †
Born: 1881
Born: October 25
Died: 1973
Died: April 8
Ceramicist
Choreographer
Costume Designer
Designer
Graphic Artist
Graphic Designer
Illustrator
Jewelry Designer
Painter
Photographer
Malaga
Pablo Ruiz Y Picasso
p. picasso
Pablo Ruiz
Pablo Ruys Picasso
Pablo Ruiz Picasso
Pablo Ruys
Picasso
Pablo Ruiz y Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz
Way
Progress
Methods
Wants
Require
Either
Theme
Idea
Express
Doe
Following
Ideas
Method
Imply
Matter
Evolution
Themes
Different
Expression
Inevitably

More quotes by Pablo Picasso

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They ought to put out the eyes of painters as they do goldfinches in order that they can sing better.
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When I was a kid I drew like Michelangelo. It took me years to learn to draw like a kid.
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I have discovered photography. Now I can kill myself. I have nothing else to learn.
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A good picture, any picture, has to be bristling with razor blades.
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So there's only one tactic for the state: kill the seers.
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When we did Cubist paintings, our intention was not to produce Cubist paintings but to express what was within us. No one laid down a course of action for us, and our friends the poets followed our endeavour attentively but they never dictated it to us.
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Others have seen what is and asked why. I have seen what could be and asked why not.
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For my part, I can't do anything else but what I am doing.
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I am always making that what I am not capable, in an attempt to learn how to doing it.
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When the individuality of the artist begins to express itself, what the artist gains in the way of liberty he loses in the way of order.
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I imitate everyone except myself.
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Photography has arrived at the point where it is capable of liberating painting from all literature, from the anecdote, and even from the subject. In any case, a certain aspect of the subject now belongs to the domain of photography. So shouldn't painters profit from their newly acquired liberty, and make use of it to do other things?
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What one does is what counts. Not what one had the intention of doing.
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In every photographer there was a painter, a true artist, awaiting expression.
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The Parthenon is really only a farmyard over which someone put a roof colonades and sculptures were added because there were people in Athens who happened to be working and wanted to express themselves.
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One does a whole painting for one peach and people think just the opposite - that particular peach is but a detail.
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I understand my own pictures best six months after I have done them.
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If you are trying to find something, it means you haven't got it. And if you find it simply by looking for it, that means it's false.
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If I paint a wild horse, you might not see the horse... but surely you will see the wildness!
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Even if the painting is green, well then! The 'subject' is the green. There is always a subject it's a joke to suppress the subject, it's impossible.
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