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I don't know in advance what I am going to put on canvas any more than I decide beforehand what colours I am going to use.

Pablo Picasso

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Pablo Picasso
Age: 91 †
Born: 1881
Born: October 25
Died: 1973
Died: April 8
Ceramicist
Choreographer
Costume Designer
Designer
Graphic Artist
Graphic Designer
Illustrator
Jewelry Designer
Painter
Photographer
Malaga
Pablo Ruiz Y Picasso
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Pablo Ruiz
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Pablo Ruiz Picasso
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Picasso
Pablo Ruiz y Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz
Going
Beforehand
Colours
Canvas
Advance
Colour
Preparation
Decide
Use

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Photographers, along with dentists, are the two professions never satisfied with what they do. Every dentist would like to be a doctor and inside every photographer is a painter trying to get out.
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I'm always doing things I can't do. That's how I get to do them.
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Success is dangerous. One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility.
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Who sees the human face correctly: the photographer, the mirror, or the painter?
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There's nothing worse than a brilliant beginning.
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The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous.
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I paint objects as I think them, not as I see them.
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They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like but that particular green, never.
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Style is often something which locks the painter into the same vision, the same technique, the same formula during years and years, sometimes during one's whole lifetime.
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The artist must know the manner whereby to convince others of the truthfulness of his lies.
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What I achieve the first day can be perfectly valid, but it is not satisfying. If I can go that far spontaneously, then I must shed that result as an old skin and inquire further into the unknown, or at least the not-yet-known-to-myself.
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I do not evolve, I am.
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We have a lot of reasons but only one real one.
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What is a face, really? Its own photo? Its make-up? Or is it a face as painted by such or such painter? That which is in front? Inside? Behind? And the rest? Doesn't everyone look at himself in his own particular way? Deformations simply do not exist.
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I don't say everything, but I paint everything.
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Have you noticed that bones are always modeled and not carved, that you always have the impression they come from a mold, that they were first modeled in clay? Any bone you look at, you always find fingerprints on it.
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When there's dust missing here or there, it's because someone has touched my things. I see immediately someone has been there. And it's because I live constantly with dust, in dust, that I prefer to wear gray suits, the only color on which it leaves no trace.
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Everything exists in limited quantity - especially happiness.
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Cubism is not a reality you can take in your hand. It's more like a perfume, in front of you, behind you, to the sides, the scent is everywhere but you don’t quite know where it comes from.
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