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When you see what you express through photography, you realize all the things that can no longer be the objectives of painting. Why should an artist persist in treating subjects that can be established so clearly with the lens of a camera?

Pablo Picasso

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Pablo Picasso
Age: 91 †
Born: 1881
Born: October 25
Died: 1973
Died: April 8
Ceramicist
Choreographer
Costume Designer
Designer
Graphic Artist
Graphic Designer
Illustrator
Jewelry Designer
Painter
Photographer
Malaga
Pablo Ruiz Y Picasso
p. picasso
Pablo Ruiz
Pablo Ruys Picasso
Pablo Ruiz Picasso
Pablo Ruys
Picasso
Pablo Ruiz y Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz
Realizing
Cameras
Artist
Clearly
Lens
Things
Express
Treating
Photography
Lenses
Subjects
Persist
Realize
Established
Painting
Objectives
Longer
Camera

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To model an object is to possess it.
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I understand my own pictures best six months after I have done them.
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I want to get to the stage where nobody can tell how a picture of mine is done. What's the point of that? Simply that I want nothing but emotion given off by it.
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What other movement determines the S line? Its aesthetic efficacity has long been noted by artists.
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I consider a work of art as a product of calculations, calculations that are frequently unknown to the author himself.
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If I had known there was such a thing as Islamic Calligraphy, I would never have started to paint. I have strived to reach the highest levels of artistic mastery, but I found that Islamic Calligraphy was there ages before I was.
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Youth has no age.
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Rhythm is a perception of time... when drawing, the tiredness of the hand is a rhythm.
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The earth doesn't have a housekeeper to do the dusting. And the dust that falls on it every day remains there. Everything that's come down to us from the past has been conserved by dust.
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Only put off until tomorrow what you are willing to die having left undone.
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Colors, like features, follow the changes of the emotions.
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Even if the painting is green, well then! The 'subject' is the green. There is always a subject it's a joke to suppress the subject, it's impossible.
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What one does is what counts. Not what one had the intention of doing.
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Love must be proven by facts and not by reasons.
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Painting isn't an aesthetic operation it's a form of magic designed as mediator between this strange hostile world and us.
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If you know exactly what you're going to do, what's the good in doing it?
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So there's only one tactic for the state: kill the seers.
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One cannot be a sorcerer all the time. How could one live?
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To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past perhaps it is more alive today than it ever was.
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The revolutionary artist does not only focus on the negative aspects of capitalist lives, but also creates visions of a revolutionary future.
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