Quote

Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.

Pablo Picasso

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Pablo Picasso
Age: 91 †
Born: 1881
Born: October 25
Died: 1973
Died: April 8
Ceramicist
Choreographer
Costume Designer
Designer
Graphic Artist
Graphic Designer
Illustrator
Jewelry Designer
Painter
Photographer
Malaga
Pablo Ruiz Y Picasso
p. picasso
Pablo Ruiz
Pablo Ruys Picasso
Pablo Ruiz Picasso
Pablo Ruys
Picasso
Pablo Ruiz y Picasso
Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso
Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz
Never
Censorship
Ignorant
Contact
Allowed
Innocents
Prepared
Censoring
Ought
Chaste
Dangerous
Sufficiently
Art
Forbidden

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The Parthenon is really only a farmyard over which someone put a roof colonades and sculptures were added because there were people in Athens who happened to be working and wanted to express themselves.
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I have discovered photography. Now I can kill myself. I have nothing else to learn.
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I don't believe in accidents. There are only encounters in history. There are no accidents.
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Have you noticed that bones are always modeled and not carved, that you always have the impression they come from a mold, that they were first modeled in clay? Any bone you look at, you always find fingerprints on it.
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I am exhausted if I don't work.
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We now know that Art is not the truth... but rather a way of approaching the truth.
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Forcing yourself to use restricted means is the sort of restraint that liberates invention. It obliges you to make a kind of progress that you can't even imagine in advance.
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If everybody is looking for it, then nobody is finding it. If we were cultured, we would not be conscious of lacking culture. We would regard it as something natural and would not make so much fuss about it. And if we knew the real value of this word we would be cultured enough not to give it so much importance.
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If you know exactly what you're going to do, what's the good in doing it?
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Learn the rules like a pro, so you can break them like an artist.
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When I haven't any blue I use red.
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When I enter the studio, I leave my body at the door the way the Moslems leave their shoes when they enter the mosque, and I only allow my spirit to go in there and paint.
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The fingerprints of the god who amused himself fashioning them - I can see them on any bone whatsoever.
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So there's only one tactic for the state: kill the seers.
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What other movement determines the S line? Its aesthetic efficacity has long been noted by artists.
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If only we could pull out our brain and use only our eyes.
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Photography has arrived at the point where it is capable of liberating painting from all literature, from the anecdote, and even from the subject. In any case, a certain aspect of the subject now belongs to the domain of photography. So shouldn't painters profit from their newly acquired liberty, and make use of it to do other things?
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To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.
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If I were to sign it now, I'd be committing forgery. I'd be putting my 1943 signature on a canvas painted in 1922.
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We have a lot of reasons but only one real one.
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