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In my real movie-going days, which were the thirties, you didn't stand in line. You strolled down the street and sallied into the theater at any hour of the day or night.

Orson Welles

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Orson Welles
Age: 70 †
Born: 1915
Born: May 6
Died: 1985
Died: October 10
Actor
Character Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Librettist
Magician
Playwright
Radio Personality
Kenosha
Wisconsin
George Orson Welles
Days
Strolled
Lines
Thirties
Movie
Street
Hours
Hour
Night
Theater
Didn
Line
Real
Streets
Going
Stand

More quotes by Orson Welles

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'The Godfather' was the glorification of a bunch of bums who never existed.
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I hate Woody Allen physically, I dislike that kind of man.
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Every actor in his heart believes everything bad that's printed about him.
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The classy gangster is a Hollywood invention.
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I don't want any description of me to be accurate I want it to be flattering. I don't think people who have to sing for their supper ever like to be described truthfully - not in print anyway. We need to sell tickets, so we need good reviews.
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If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
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Criticism is the essence of creation.
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Criminals are never very amusing. It's because they're failures. Those who make real money aren't counted as criminals. This is a class distinction, not an ethical problem.
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Working is part of life, I don't know how to distinguish between the two... Work is an expression of life.
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In attempting to explain F For Fake's state-side failure, it has occurred to me that perhaps the subject matter was at least partially to blame, and that this country is so blissfully enslaved by the notion of the special sanctity of the expert that an overtly anti-expert film was bound to go too much against the national grain.
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My mother and father were both much more remarkable than any story of mine can make them. They seem to me just mythically wonderful.
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By nature, I am an experimentalist. I don't believe much in accomplishment.
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One should make movies innocently - the way Adam and Eve named the animals, their first day in the garden. Learn from your own interior vision of things, as if there had never been a D.W.Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.
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An artist is always out of step with the time. He has to be.
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Nobody who takes on anything big and tough can afford to be modest.
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Hollywood is a gold-plated suburb suitable for golfers, gardeners, assorted middlemen, and contented movies stars. I am none of these things.
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I know people who have a much better recollection of their childhood than I do. They remember very well when they were a year and a half and two years old. I've only one or two daguerreotypes that come to mind.
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Almost all serious stories in the world are stories of failure with a death in it. But there is more lost paradise in them than defeat.
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I think we're a kind of desperation. We're sort of a maddening luxury. The basic and essential human is the woman, and all that we're doing is trying to brighten up the place. That's why all the birds who belong to our sex have prettier feathers - because males have got to try and justify their existence.
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A toast, Jedediah, to love on my terms. Those are the only terms anybody ever knows - his own.
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