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Living in the lap of luxury isn't bad except that you never know when luxury is going to stand up.
Orson Welles
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Orson Welles
Age: 70 †
Born: 1915
Born: May 6
Died: 1985
Died: October 10
Actor
Character Actor
Director
Film Actor
Film Director
Film Editor
Film Producer
Librettist
Magician
Playwright
Radio Personality
Kenosha
Wisconsin
George Orson Welles
Never
Life
Lap
Luxury
Except
Stand
Living
Going
More quotes by Orson Welles
I was spoiled in a very strange way as a child, because everybody told me, from the moment I was able to hear, that I was absolutely marvelous, and I never heard a discouraging word for years, you see. I didn't know what was ahead of me.
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Criticism is the essence of creation.
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The director is simply the audience. His job is to preside over accidents.
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I hate women, hate them generally, not in particular but in an abstract way. I hate them because one never really learns anything about them. They are inscrutable.
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My definition of success is not having things thrown at me!
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If there hadn't been women we'd still be squatting in a cave eating raw meat, because we made civilization in order to impress our girlfriends.
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The classy gangster is a Hollywood invention.
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The director is the most overrated artist in the world. He is the only artist who, with no talent whatsoever, can be a success for 50 years without his lack of talent ever being discovered.
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A man is not from where he is born, but where he chooses to die.
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A film is never really good unless the camera is an eye in the head of a poet.
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What's happening now is what happened before, and often what's going to happen again sometime or other
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Every true artist must, in his own way, be a magician, a charlatan.
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The laws and the stage, both are a form of exhibitionism.
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I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theatre, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai.
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I'd make my promises now if I wasn't so busy arranging to keep them.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
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People are losing the capacity to listen to words or follow ideas.
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Gluttony is not a secret vice.
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I think we're a kind of desperation. We're sort of a maddening luxury. The basic and essential human is the woman, and all that we're doing is trying to brighten up the place. That's why all the birds who belong to our sex have prettier feathers - because males have got to try and justify their existence.
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