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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.

Ornette Coleman

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Ornette Coleman
Age: 85 †
Born: 1930
Born: March 19
Died: 2015
Died: June 11
Composer
Jazz Musician
Recording Artist
Saxophonist
Trumpeter
Fort Worth
Texas
Randolph Denard Ornette Coleman
Ends
Ended
Anything
California
Play
Player
Hard
Playing
Writing
Went
Time
Anyone
Getting
Saxophone
Left
Texas

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Music has many uses and I think the most perfected use that music has is one of a healing quality.
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If you decide you want to be treated good, and you treat someone else good, or you want to learn something, it's information. It's getting the right, good information.
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I remember once I read a book on mental illness and there was a nurse that had gotten sick. Do you know what she died from? From worrying about the mental patients not being able to get their food. She became a mental patient.
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I would like to play for audiences who are not using my music to stimulate their sex organs.
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When I have them working together, it's like a beautiful kaleidoscope.
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I don't try to please when I play. I try to cure.
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It seems to me that in the western world, culture has something to do with appearance. A person that's out creating good stuff has got to appreciate someone when they take the time to have an appearance that goes with what they're doing.
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We in the Western world suffer from too many categories and classes we've forgotten that we all still have diapers on. We've separated music from life.
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I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
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You don't have to worry about being a number one, number two, or number three. Numbers don't have anything to do with placement. Numbers only have something to do with repetition.
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The idea is more important than the style you're playing in.
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Jerry Garcia was one of the original American icons. He played naturally and beautifully.
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That's why I haven't been so anxious. But now, lots of people write and say, 'I want to find out what you're doing.' So I know that this book will enlighten them.
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I don't know what they're thinking about. Just because someone says, 'I like what you do' or something: They might like it today and tomorrow they might not. I've had that experience with record companies.
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I have often read critical pieces where the critic said that what the composer was trying to do didn't come off. I have wondered what the critic meant if he didn't know what the composer was trying to do.
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Harmelody allows everybody to be an individual who does not have to imitate anybody else.
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You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
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That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
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Sound has no parents.
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Jazz is the only music in which the same note can be played night after night but differently each time.
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