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The real question is how much suffering we've caused our womenfolk by turning headscarves into symbols - and using women as pawns in a political game.

Orhan Pamuk

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Orhan Pamuk
Age: 72
Born: 1952
Born: June 7
Academic
Author
Essayist
Journalist
Novelist
Screenwriter
Writer
İstanbul
Pamuk
Ferit Orhan Pamuk
Question
Game
Games
Headscarves
Suffering
Pawns
Political
Caused
Women
Symbols
Real
Turning
Much
Using

More quotes by Orhan Pamuk

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I don't read newspapers in the morning. I take a look at the dailies in the afternoon, but only when I've finished my work for the day. Reading about what is happening in Turkey once again would only be demoralizing for me.
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Love is a sacred silence.
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Turkish football serves the cause of nationalism, but not of the nation.
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Tell me then, does love make one a fool or do only fools fall in love?
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Snow reminds Ka of God! But I’m not sure it would be accurate. What brings me close to God is the silence of snow.
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And before long , the msuic , the views rushing past the window , my fathers voice and the narrow cobblestone streets all merged into one , and it seemed to me that while we would never find answers to these fundamental questions , it was good for us to ask them anyway . pg. 284
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The bloody years of war and all the atrocities in European history have taught the Europeans that secular politics free of religious hatred is mainly a question of peace. This concept is not anchored in the same way in the consciousness of Turks, which has to do with the fact that the secular was forced upon us by the army.
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The past is always an invented land.
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We had no desire to live in Istanbul, nor in Paris or New York. Let them have their discos and dollars, their skycrapers and supersonics transports. Let them have their radios and their color TV, hey, we have ours, don't we? But we have something they don't have. Heart. We have heart. Look, look how the light of life seeps into my very heart
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My childhood proved to me that there could be no enjoyment of football without community. But it becomes difficult when this community is having problems with its identity. That's when we experience all possible forms of nationalist exaggeration.
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In his brilliant new book Pankaj Mishra reverses the long gaze of the West upon the East, showing modern history as it has been felt by the majority of the world's population from Turkey to China. These are the amazing stories of the grandfathers of today's angry Asians. Excellent!
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All great masters, in their work, seek that profound void within color and outside time.
Orhan Pamuk
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Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave.
Orhan Pamuk
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I am nothing but a corpse now, a body at the bottom of a well.
Orhan Pamuk
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It was in Cihangir that i first learned Istanbul was not an anonymous multitude of walled-in lives - a jungle of apartments where no one knew who was dead or who was celebrating what - but an archipelago of neighbourhoods in which everyone knew each other.
Orhan Pamuk
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Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
Orhan Pamuk
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The entire world was like a palace with countless rooms whose doors opened into one another. We were able to pass from one room to the next only by exercising our memories and imaginations, but most of us, in our laziness, rarely exercised these capacities, and forever remained in the same room.
Orhan Pamuk
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Ka knew very well that life was a meaningless string of random incidents
Orhan Pamuk
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...the endless repetition of an ordinary miracle.
Orhan Pamuk
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In fact, my entire childhood consisted of looking at photographs in which the viewer sees the ball behind the line, looking through the goal net, and the poor goalkeeper in front of the net.
Orhan Pamuk