The damage that we do in the service of whatever motivates us in life has a direct effect, mostly on our kids.

That's really the big inspiration of this movie. It's really looking at a man who's really showing all the traits and all the characteristics of the classic patriarchal country, where he's of military power, he's the king of the hill at home, as well as in the streets. He has the liberty to live where he wants.

I think everybody came into it with the understanding that they would go through an experience that is literally not by the book, that is not executing the script and then going home, but living and breathing these characters and being in the moment with each other, and improvising and creating a lot of present-tense intensity between characters.

It's not a big secret that what's lacking and what's wrong in our society starts with education. It starts with the way people are brought up, and what is put into their heads and put into their minds as engaged citizens.

I mean, you always hope to have a part on every level, on every layer. For us it was very much a conversation about power and sexuality and brutality. And really all the issues that are in that world, in that space, come down to one word, which is masculinity.

I have no idea what the next project will be and if there's a next project. I don't even know if we're all going to be here tomorrow, but I'm pretty optimistic.

Being in the moment with these guys was just a profound experience every day, and when we shoot a movie it's actually a very short process, especially an independent movie like this. It was only thirty five days of shooting.

I think that's an incredibly overwhelming reality that is really at the basis of how we're going to deal with this. Looking at the film, people will say, Oh yeah, you're criticizing the police. I say, No.

I enjoy the process of writing collaboration so there's some stuff that already that may happen and then some stuff that I'm initiating that I may write on my own.

I really feel that actors should really know who they are as characters they should really study their lines they should be prepared but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.

If you look at it that way, then you start thinking about the basic things, which are jobs not jails, and education not incarceration.