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Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.

Olivier Theyskens

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Olivier Theyskens
Age: 47
Born: 1977
Born: January 4
Costume Designer
Designer
Fashion Designer
urban area of Brussels
Centuries
Patterns
Historical
Complicated
Economize
Look
Systematic
Always
Costumes
Fabric
Impressed

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Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
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The only shoes that look futuristic are Crocs, but they would be terrible to use in a futuristic movie.
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I didn't understand the advantages of staying active until I was about 27.
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We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.
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I could live naked... I love it.
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I really hated school. I had the feeling I was losing a lot of time.
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I've admired historical clothes like Victorian gowns since I was a child, and it's what motivated me to go into fashion.
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When Princess Diana got married, I was a very little kid, I think. I remember her dress, and I found the dress amazing when I was a kid.
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When the economy changes, it's not like you want to start eating bad-tasting chocolate.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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As a designer, I'm not a guy that can be put in a niche.
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People who don't know me sometimes call me 'Mademoiselle.'
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The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.
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