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I've admired historical clothes like Victorian gowns since I was a child, and it's what motivated me to go into fashion.

Olivier Theyskens

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Olivier Theyskens
Age: 47
Born: 1977
Born: January 4
Costume Designer
Designer
Fashion Designer
urban area of Brussels
Clothes
Fashion
Since
Child
Gowns
Children
Victorian
Admired
Like
Motivated
Historical

More quotes by Olivier Theyskens

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We always see the point of an iceberg. So I've always accepted the idea that people - they don't necessarily know everything I am.
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Even during the golden age of fashion, you had haute couture houses where the designers didn't have money.
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When other boys dreamt of going to the moon or becoming doctors, I wanted to be a designer.
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When Princess Diana got married, I was a very little kid, I think. I remember her dress, and I found the dress amazing when I was a kid.
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Historical costumes from the 18th and 19th centuries look so complicated, but when you see the patterns, it's very systematic. I've always been impressed by how the patterns economize the fabric.
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My sense of designing is a mix of intuition and intellectual control.
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I haven't made many wedding dresses. It's a dress very, very important for the girl it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.
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I could live naked... I love it.
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The only shoes that look futuristic are Crocs, but they would be terrible to use in a futuristic movie.
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As a designer, I'm not a guy that can be put in a niche.
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I really hated school. I had the feeling I was losing a lot of time.
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In fashion, we don't often know the prices. We don't have time to go into the stores.
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When the economy changes, it's not like you want to start eating bad-tasting chocolate.
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I didn't understand the advantages of staying active until I was about 27.
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The aim of being a good designer is to have an influence. If you design furniture or lifestyle, you should influence the way people evolve globally. It's good to have an influence. I feel like people on the street today probably dress better than they did in the '50s.
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People who don't know me sometimes call me 'Mademoiselle.'
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I am more used to seeing my work like a big collection, and only part of it is being shown.
Olivier Theyskens