Quote

There is no one part of the brain which recognizes or responds emotionally to music. Instead, there are many different parts responding to different aspects of music: to pitch, to frequency, to timbre, to tonal intervals, to consonance, to dissonance, to rhythm, to melodic contour, to harmony.

Oliver Sacks

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Oliver Sacks
Age: 82 †
Born: 1933
Born: July 9
Died: 2015
Died: August 30
Chemist
Neurologist
Physician Writer
Science Communicator
Screenwriter
University Teacher
Writer
Oliver Wolf Sacks
Part
Emotionally
Melodic
Music
Aspects
Dissonance
Many
Rhythm
Responds
Different
Harmony
Recognizes
Parts
Intervals
Contour
Aspect
Frequency
Consonance
Instead
Responding
Timbre
Brain
Pitch
Tonal

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Creativity involves the depth of a mind, and many, many depths of unconsciousness.
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I rejoice when I meet gifted young people... I feel the future is in good hands.
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When I was five, I am told, and asked what my favorite things in the world were, I answered, smoked salmon and Bach.
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The rhythm of music is very, very important for people with Parkinson's. But it's also very important with other sorts of patients, such as patients with Tourette's syndrome. Music helps them bring their impulses and tics under control. There is even a whole percussion orchestra made up exclusively of Tourette's patients.
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Astounded—and indifferent—for he was a man who, in effect, had no ‘day before’.
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If a man has lost a leg or an eye, he knows he has lost a leg or an eye but if he has lost a self—himself—he cannot know it, because he is no longer there to know it.
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If migraine patients have a common and legitimate second complaint besides their migraines, it is that they have not been listened to by physicians. Looked at, investigated, drugged, charged, but not listened to.
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To be ourselves we must have ourselves – possess, if need be re-possess, our life-stories. We must “recollect” ourselves, recollect the inner drama, the narrative, of ourselves. A man needs such a narrative, a continuous inner narrative, to maintain his identity, his self.
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Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.
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My impression is that a sense of rhythm, which has no analog in language, is unique and that its correlation with movement is unique to human beings. Why else would children start to dance when they're two or three? Chimpanzees don't dance.
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But the saddest difference between them was that Zazetsky, as Luria said, 'fought to regain his lost faculties with the indomitable tenacity of the damned,' whereas Dr P. was not fighting, did not know what was lost. But who was more tragic, or who was more damned -- the man who knew it, or the man who did not?
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It seems that the brain always has to be active, and if the auditory parts of the brain are not getting sufficient input, then they may start to create hallucinatory sounds on their own. Although it is curious that they do not usually create noises or voices they create music.
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Music has a bonding power, it's primal social cement
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Creativity...involves the power to originate, to break away from the existing ways of looking at things, to move freely in the realm of the imagination, to create and recreate worlds fully in one's mind-while supervising all this with a critical inner eye.
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I cannot pretend I am without fear. But my predominant feeling is one of gratitude. I have loved and been loved I have been given much and I have given something in return I have read and traveled and thought and written. I have had an intercourse with the world, the special intercourse of writers and readers.
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If a man with a dog sits quietly enjoying music and smiling, his dog might sit down beside him and smile, too. But who knows whether the dog is having a comparable experience or whether the dog is simply happy that his master is happy.
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We now know that memories are not fixed or frozen, like Proust's jars of preserves in a larder, but are transformed, disassembled, reassembled, and recategorized with every act of recollection.
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For 'wellness', naturally, is no cause for complaint - people relish it, they enjoy it, they are at the furthest pole from complaint. People complain of feeling ill - not well ... Thus, though a patient will scarcely complain of being 'very well', they may become suspicious if they feel 'too well'.
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It really is a very odd business that all of us, to varying degrees, have music in our heads.
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We have five senses in which we glory and which we recognize and celebrate, senses that constitute the sensible world for us. But there are other senses - secret senses, sixth senses, if you will - equally vital, but unrecognized, and unlauded ... unconscious, automatic.
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