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When I was five, I am told, and asked what my favorite things in the world were, I answered, smoked salmon and Bach.

Oliver Sacks

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Oliver Sacks
Age: 82 †
Born: 1933
Born: July 9
Died: 2015
Died: August 30
Chemist
Neurologist
Physician Writer
Science Communicator
Screenwriter
University Teacher
Writer
Oliver Wolf Sacks
Things
Smoked
World
Bach
Salmon
Answered
Favorite
Asked
Told
Five

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But the saddest difference between them was that Zazetsky, as Luria said, 'fought to regain his lost faculties with the indomitable tenacity of the damned,' whereas Dr P. was not fighting, did not know what was lost. But who was more tragic, or who was more damned -- the man who knew it, or the man who did not?
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To be ourselves we must have ourselves – possess, if need be re-possess, our life-stories. We must “recollect” ourselves, recollect the inner drama, the narrative, of ourselves. A man needs such a narrative, a continuous inner narrative, to maintain his identity, his self.
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In terms of brain development, musical performance is every bit as important educationally as reading or writing.
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I think there is no culture in which music is not very important and central. That's why I think of us as a sort of musical species.
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One might say that science itself, and civilization and art, are all about different orderings of the world - to contain it, and to make it in some sense intelligible, communicable. And bearable.
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It is up to me now to choose how to live out the months that remain to me.
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Psychotic hallucinations, whether they are visual or vocal, they address you. They accuse you. They seduce you. They humiliate you. They jeer at you. You interact with them.
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I feel a sudden clear focus and perspective. There is no time for anything inessential.
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With any hallucinations, if you can do functional brain imagery while theyre going on, you will find that the parts of the brain usually involved in seeing or hearing - in perception - have become super active by themselves. And this is an autonomous activity this does not happen with imagination.
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There is certainly a universal and unconscious propensity to impose a rhythm even when one hears a series of identical sounds at constant intervals... We tend to hear the sound of a digital clock, for example, as tick-tock, tick-tock - even though it is actually tick tick, tick tick.
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We see with the eyes, but we see with the brain as well. And seeing with the brain is often called imagination.
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There is no one part of the brain which recognizes or responds emotionally to music. Instead, there are many different parts responding to different aspects of music: to pitch, to frequency, to timbre, to tonal intervals, to consonance, to dissonance, to rhythm, to melodic contour, to harmony.
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The rhythm of music is very, very important for people with Parkinson's. But it's also very important with other sorts of patients, such as patients with Tourette's syndrome. Music helps them bring their impulses and tics under control. There is even a whole percussion orchestra made up exclusively of Tourette's patients.
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It is easy to recollect the good things of life, the times when one's heart rejoices and expands, when everything is enfolded in kindness and love it is easy to recollect the fineness of life-how noble one was, how generous one felt, what courage one showed in the face of adversity.
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Dangerously well’— what an irony is this: it expresses precisely the doubleness, the paradox, of feeling ‘too well
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At 11, I could say ‘I am sodium’ (Element 11), and now at 79, I am gold.
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The power of music, narrative and drama is of the greatest practical and theoretical importance. ... We see how the retarded, unable to perform fairly simple tasks involving perhaps four or five movements or procedures in sequence, can do these perfectly if they work to music.
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I was fascinated that one could have such perceptual changes, and also that they went with a certain feeling of significance, an almost numinous feeling. I'm strongly atheist by disposition, but nonetheless when this happened, I couldn't help thinking, 'That must be what the hand of God is like.'
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Music is...a fundamental way of expressing our humanity - and it is often our best medicine.
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I think there's probably always been visions and voices, and these were variously ascribed to the divine or demonic or the muses. I think many poets still feel they depend on an inner voice, or a voice which tells them what to do.
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