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I keep the pornographic stuff in a bus station locker.

Norman Rockwell

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Norman Rockwell
Age: 84 †
Born: 1894
Born: February 3
Died: 1978
Died: November 8
Artist
Illustrator
Painter
Photographer
Writer
New York City
New York
Norman Perceval Rockwell
Norman Percevel Rockwell
Rockwell
Keep
Pornographic
Locker
Lockers
Station
Bus
Stations
Stuff

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You must first spend some time getting your model to relax. Then you'll get a natural expression.
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How will I be remembered? As a technician or artist? As a humorist or a visionary?
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If the public dislikes one of my Post covers, I can't help disliking it myself.
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The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud to be painting it.
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Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.
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Very interesting for an old duffer like me to try his hand at something new. If I don't do that once in a while, I might just turn into a fossil, you know!
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I learned to draw everything except glamorous women. No matter how much I tried to make them look sexy, they always ended up looking silly... or like somebody's mother.
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The Balopticon [a machine that projects photos on canvas to trace the lines] is an evil, inartistic, habit-forming, lazy and vicious machine! It also is a useful, time-saving, practical and helpful one. I use one often-and am thoroughly ashamed of it. I hide it whenever I hear people coming.
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No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
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The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
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Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative.
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I work from fatigue to fatigue at my age there's only so much daylight left.
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Eisenhower had about the most expressive face I ever painted, I guess. Just like an actor's. Very mobile. When he talked, he used all the facial muscles. And he had a great, wide mouth that I liked. When he smiled, it was just like the sun came out.
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The remarks about my reaching the age of Social Security and coming to the end of the road, they jolted me. And that was good. Because I sure as hell had no intention of just sitting around for the rest of my life. So I'd whip out the paints and really go to it.
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I used to sit in the studio with a copy of the (Saturday Evening) Post laid across my knees ... And then I'd conjure up a picture of myself as a famous illustrator and gloat over it, putting myself in various happy situations, surrounded by admiring females, deferred to by office flunkies at the magazines, wined and dined by the editor.
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The view of life I communicate in my pictures excludes the sordid and ugly. I paint life as I would like it to be.
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I unconsciously decided that, even if it wasn't an ideal world, it should be. So I painted only the ideal aspects of it - pictures in which there are no drunken slatterns or self-centered mothers... only foxy grandpas who played baseball with the kids and boys who fished from logs and got up circuses in the backyard.
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I paint life as I would like it to be.
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I'm not going to be caught around here for any fool celebration. To hell with birthdays!
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I'm tired, but proud.
Norman Rockwell