Quote

I learned to draw everything except glamorous women. No matter how much I tried to make them look sexy, they always ended up looking silly... or like somebody's mother.

Norman Rockwell

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Norman Rockwell
Age: 84 †
Born: 1894
Born: February 3
Died: 1978
Died: November 8
Artist
Illustrator
Painter
Photographer
Writer
New York City
New York
Norman Perceval Rockwell
Norman Percevel Rockwell
Rockwell
Like
Women
Tried
Look
Except
Sexiness
Everything
Stupid
Glamorous
Matter
Learned
Ended
Looks
Somebody
Sexy
Much
Looking
Draw
Make
Artist
Silly
Always
Mother
Draws

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I'm tired, but proud.
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The remarks about my reaching the age of Social Security and coming to the end of the road, they jolted me. And that was good. Because I sure as hell had no intention of just sitting around for the rest of my life. So I'd whip out the paints and really go to it.
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No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
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The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
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I'm not going to be caught around here for any fool celebration. To hell with birthdays!
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If there was sadness in this creative world of mine, it was a pleasant sadness. If there were problems, they were humorous problems.
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Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative.
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Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.
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I keep the pornographic stuff in a bus station locker.
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Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.
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I used to sit in the studio with a copy of the (Saturday Evening) Post laid across my knees ... And then I'd conjure up a picture of myself as a famous illustrator and gloat over it, putting myself in various happy situations, surrounded by admiring females, deferred to by office flunkies at the magazines, wined and dined by the editor.
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Very interesting for an old duffer like me to try his hand at something new. If I don't do that once in a while, I might just turn into a fossil, you know!
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I unconsciously decided that, even if it wasn't an ideal world, it should be. So I painted only the ideal aspects of it - pictures in which there are no drunken slatterns or self-centered mothers... only foxy grandpas who played baseball with the kids and boys who fished from logs and got up circuses in the backyard.
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If the public dislikes one of my Post covers, I can't help disliking it myself.
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I talk as I sketch, too, in order to keep their minds off what I'm doing so I'll get the most natural expression I can from them. Also, the talking helps to size up the subject's personality, so I can figure out better how to portray him.
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I work from fatigue to fatigue at my age there's only so much daylight left.
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Everyone in those days expected that art students were wild, licentious characters. We didn't know how to be, but we sure were anxious to learn.
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How will I be remembered? As a technician or artist? As a humorist or a visionary?
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The Balopticon [a machine that projects photos on canvas to trace the lines] is an evil, inartistic, habit-forming, lazy and vicious machine! It also is a useful, time-saving, practical and helpful one. I use one often-and am thoroughly ashamed of it. I hide it whenever I hear people coming.
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I paint life as I would like it to be.
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