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I stop and look at traffic accidents. I won't hang around, but when I hear something is terrible, as bad as it is, I've gotta look at it.
Norman Lear
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Norman Lear
Age: 102
Born: 1922
Born: July 27
Actor
Businessperson
Film Director
Film Producer
Screenwriter
Showrunner
Television Producer
Television Writer
New Haven
Connecticut
Norman Milton Lear
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Traffic
Looks
Gotta
Something
Hang
Accidents
Terrible
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More quotes by Norman Lear
We mocked that concept ['movies are better than ever'] by doing a sketch that was about a theater trying to get one customer to come in...and that customer was Jerry Lewis. It generated so much controversy that Dean [Martin] and Jerry [Lewis] had to apologize in a full page ad in Variety.
Norman Lear
I get a kick out of the fact that people will pick on the writers in California for being responsible for the content. The people seriously responsible for the content are the people who buy it.
Norman Lear
The movies had a slogan at the time, to distinguish themselves from TV, that said 'movies are better than ever.'
Norman Lear
The evidence seems clear that those business which actively serve their many constitutencies in creative, morally thoughtful ways also, over the long run, serve their shareholders best. Companies do, infact, do well by doing good.
Norman Lear
In this nation, leadership is dollars.
Norman Lear
I got a call from an agent to come to New York City, and write for the 'Ford Star Revue.' Because at the time there wasn't much 'national television'.
Norman Lear
In the area we're discussing, leadership begins on Madison Avenue, on the desks and in the offices of people who spend hundreds of millions of dollars buying what will get them ratings.
Norman Lear
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
Norman Lear
You're in the business - when you're a writer, producer, director - to get ratings.
Norman Lear
The people responsible for the dollars that will buy the sex and violence so many deplore, don't even know what's going - well, of course they know. But they're comfortably ensconced in their country clubs and churches, and very far removed from the decisions that are made on their behalf.
Norman Lear
So we gravitated to shows and issues and causes that made people care.
Norman Lear
It crossed our minds early on that the more an audience cared - we were working before, on average, 240, live people. If you could get them caring - the more they cared, the harder they laughed.
Norman Lear
Bud [Yorkin] was the kindest and dearest man, and one of the most talented directors there was.
Norman Lear
We had two African American writers [Eric Monte and Michael Evans] on the show ['Good Times'] that knew Cabrini Green inside and out, and that's why we set it there.
Norman Lear
I never met who I really wanted to meet, and that was Charlie Chaplin.
Norman Lear
I think that of most leaders in religion as power brokers. They give orders, in a sense, to an audience every week, and that's where the definition of God starts.
Norman Lear
I think for television generally, the question that often arises is, Does television lead, or does it follow? You know, does it lead the conversation, or culture, or does it follow what's going on? And I think it does both.
Norman Lear
Nobody doubts my partisanship, but a lot of the activity is nonpartisan.
Norman Lear
The complete control of one party over everything - I would, I think, feel the same way if it were [the Democrats in charge]. It's not the American way.
Norman Lear
I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.
Norman Lear