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It's kind of a crazy art form, movies, in that you have to get it right the day you do it, generally.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Crazy
Art
Form
Right
Kind
Generally
Movies
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I think I've always been drawn to the notion of talk as cinematic.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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Anyone who's putting money into your movie would always rather you cast well-known people.
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I love black-and-white movies that are about contemporary subjects.
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I'm sure I've said some pretty bad pick-up lines.
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I read all the time. Sometimes I get asked if I've thought about writing a novel.
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I think anxiety is dangerous, but it makes you think it's your friend.
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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It's kind of major, learning to drive. I feel like it kicked up other stuff in my life.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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I live in Manhattan now, because, in a way, it was my fantasy.
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It's near impossible to make a movie in black and white in the system.
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