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It's kind of a crazy art form, movies, in that you have to get it right the day you do it, generally.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Movies
Crazy
Art
Form
Right
Kind
Generally

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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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I read all the time. Sometimes I get asked if I've thought about writing a novel.
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I live in Manhattan now, because, in a way, it was my fantasy.
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I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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I think anxiety is dangerous, but it makes you think it's your friend.
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Dance is a profession with an expiration date for many people.
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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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I've always liked working with friends or, you know, people I have outside relationships with.
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I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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I like having associations with locations beyond their meaning for the specific movie.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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