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I live in Manhattan now, because, in a way, it was my fantasy.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Manhattan
Fantasy
Live
Way

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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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I think anxiety is dangerous, but it makes you think it's your friend.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I do like having books on my shelves. I do value that life.
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Will Ferrell's made a lot of brilliant movies.
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Anyone who's putting money into your movie would always rather you cast well-known people.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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Dance is a profession with an expiration date for many people.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
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I love black-and-white movies that are about contemporary subjects.
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Wes Anderson's films, 6-year-olds are crazy about them.
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I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head.
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I wouldn't say 'Frances Ha' is autobiographical, but it's definitely very personal.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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