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I live in Manhattan now, because, in a way, it was my fantasy.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Manhattan
Fantasy
Live
Way

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I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
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I've had times in my life when I really haven't been able to figure myself out.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I like having associations with locations beyond their meaning for the specific movie.
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I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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It's always really special to be at the New York Film Festival, and always a real privilege.
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I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.
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I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head.
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It's kind of major, learning to drive. I feel like it kicked up other stuff in my life.
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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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Dance is a profession with an expiration date for many people.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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It's near impossible to make a movie in black and white in the system.
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I do like having books on my shelves. I do value that life.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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