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I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Looking
Songwriter
Always
Songwriters
Dylan
Singer
Post
Posts
Singers
Records
Overlooked

More quotes by Noah Baumbach

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It's always really special to be at the New York Film Festival, and always a real privilege.
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Being articulate, my parents could make anything sound reasonable.
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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I wouldn't say 'Frances Ha' is autobiographical, but it's definitely very personal.
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Will Ferrell's made a lot of brilliant movies.
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I've had times in my life when I really haven't been able to figure myself out.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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I do like having books on my shelves. I do value that life.
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I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.
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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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I love black-and-white movies that are about contemporary subjects.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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