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I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Movie
Funny
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Writing
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Trying
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Head
Imagine
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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When I was a kid, I would fantasize about my own funeral.
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I'm a huge proponent of therapy and analysis, but it's something that, in a nonprofessional way, can be abused.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
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Wes Anderson's films, 6-year-olds are crazy about them.
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I kind of live like a writer. I get up and I write. I've done that my whole life.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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I've had times in my life when I really haven't been able to figure myself out.
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I wouldn't say 'Frances Ha' is autobiographical, but it's definitely very personal.
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Defining yourself by your taste is easier than defining yourself by any genuine stance on something.
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I love black-and-white movies that are about contemporary subjects.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I'm interested in music as an extension of character.
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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