Quote

There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Think
High
Interview
Thinking
Actually
Rejected
Jobs
Interviews
Didn
Summer
Stills
York
School
Walk
Still
Building
Always
Walks

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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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It's near impossible to make a movie in black and white in the system.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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When I was a kid, I would fantasize about my own funeral.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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I live in Manhattan now, because, in a way, it was my fantasy.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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I'm sure I've said some pretty bad pick-up lines.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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I'm interested in music as an extension of character.
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I've always liked working with friends or, you know, people I have outside relationships with.
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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I like having associations with locations beyond their meaning for the specific movie.
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