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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Made
Every
Years
Always
Hanging
Think
Guys
Thinking
Movie
Guy
Great

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I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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I think I've always been drawn to the notion of talk as cinematic.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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I love black-and-white movies that are about contemporary subjects.
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I read all the time. Sometimes I get asked if I've thought about writing a novel.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
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Anyone who's putting money into your movie would always rather you cast well-known people.
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It's near impossible to make a movie in black and white in the system.
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Being articulate, my parents could make anything sound reasonable.
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I like having associations with locations beyond their meaning for the specific movie.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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It's always really special to be at the New York Film Festival, and always a real privilege.
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I think I was going through a lot of change at 27, but I didn't know it was happening until it was over.
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