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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Guy
Great
Made
Every
Years
Always
Hanging
Think
Guys
Thinking
Movie

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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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Defining yourself by your taste is easier than defining yourself by any genuine stance on something.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
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I kind of live like a writer. I get up and I write. I've done that my whole life.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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It's near impossible to make a movie in black and white in the system.
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I've always liked working with friends or, you know, people I have outside relationships with.
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I live in Manhattan now, because, in a way, it was my fantasy.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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Dance is a profession with an expiration date for many people.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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I think I was going through a lot of change at 27, but I didn't know it was happening until it was over.
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