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I've had times in my life when I really haven't been able to figure myself out.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Really
Life
Figure
Havens
Haven
Figures
Times
Able

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I love black-and-white movies that are about contemporary subjects.
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Being articulate, my parents could make anything sound reasonable.
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I read all the time. Sometimes I get asked if I've thought about writing a novel.
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It's always really special to be at the New York Film Festival, and always a real privilege.
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I'm sure I've said some pretty bad pick-up lines.
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I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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Wes Anderson's films, 6-year-olds are crazy about them.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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I live in Manhattan now, because, in a way, it was my fantasy.
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