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I think I've always been drawn to the notion of talk as cinematic.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Notion
Talk
Always
Think
Thinking
Cinematic
Drawn

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I kind of live like a writer. I get up and I write. I've done that my whole life.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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It's near impossible to make a movie in black and white in the system.
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I think anxiety is dangerous, but it makes you think it's your friend.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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Wes Anderson's films, 6-year-olds are crazy about them.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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When I was a kid, I would fantasize about my own funeral.
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Will Ferrell's made a lot of brilliant movies.
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