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Wes Anderson's films, 6-year-olds are crazy about them.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Anderson
Olds
Films
Crazy
Year
Film
Years

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Dance is a profession with an expiration date for many people.
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I've always liked working with friends or, you know, people I have outside relationships with.
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Will Ferrell's made a lot of brilliant movies.
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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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I live in Manhattan now, because, in a way, it was my fantasy.
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It's always really special to be at the New York Film Festival, and always a real privilege.
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Anyone who's putting money into your movie would always rather you cast well-known people.
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It's near impossible to make a movie in black and white in the system.
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I think I was going through a lot of change at 27, but I didn't know it was happening until it was over.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I'm sure I've said some pretty bad pick-up lines.
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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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I think I've always been drawn to the notion of talk as cinematic.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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It's kind of a crazy art form, movies, in that you have to get it right the day you do it, generally.
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