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Wes Anderson's films, 6-year-olds are crazy about them.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Anderson
Olds
Films
Crazy
Year
Film
Years

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I'm always looking for overlooked post-Dylan singer-songwriter records from the '70s.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I love black-and-white movies that are about contemporary subjects.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
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I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.
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I'm a huge proponent of therapy and analysis, but it's something that, in a nonprofessional way, can be abused.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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I'm sure I've said some pretty bad pick-up lines.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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I wouldn't say 'Frances Ha' is autobiographical, but it's definitely very personal.
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I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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Will Ferrell's made a lot of brilliant movies.
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I like having associations with locations beyond their meaning for the specific movie.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
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I've always liked working with friends or, you know, people I have outside relationships with.
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It's near impossible to make a movie in black and white in the system.
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