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Wes Anderson's films, 6-year-olds are crazy about them.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Year
Film
Years
Anderson
Olds
Films
Crazy

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I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.
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It's kind of major, learning to drive. I feel like it kicked up other stuff in my life.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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I'm interested in music as an extension of character.
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I do like having books on my shelves. I do value that life.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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I live in Manhattan now, because, in a way, it was my fantasy.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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I love black-and-white movies that are about contemporary subjects.
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I like having associations with locations beyond their meaning for the specific movie.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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Will Ferrell's made a lot of brilliant movies.
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I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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