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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Fantasy
Grew
Ways
Talk
Kind
Anderson
Way
Houston
World
Manhattan
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Anyone who's putting money into your movie would always rather you cast well-known people.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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I love black-and-white movies that are about contemporary subjects.
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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Will Ferrell's made a lot of brilliant movies.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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I think anxiety is dangerous, but it makes you think it's your friend.
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I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
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I've had times in my life when I really haven't been able to figure myself out.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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I do like having books on my shelves. I do value that life.
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