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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Always
Connections
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Smart
Think
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Paralysis
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More quotes by Noah Baumbach
I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
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I think I was going through a lot of change at 27, but I didn't know it was happening until it was over.
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I do like having books on my shelves. I do value that life.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I'm a huge proponent of therapy and analysis, but it's something that, in a nonprofessional way, can be abused.
Noah Baumbach
I live in Manhattan now, because, in a way, it was my fantasy.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.
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I've always liked working with friends or, you know, people I have outside relationships with.
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I like having associations with locations beyond their meaning for the specific movie.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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I love black-and-white movies that are about contemporary subjects.
Noah Baumbach
I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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It's kind of major, learning to drive. I feel like it kicked up other stuff in my life.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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