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I'm a huge proponent of therapy and analysis, but it's something that, in a nonprofessional way, can be abused.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Huge
Something
Way
Proponent
Abused
Therapy
Analysis

More quotes by Noah Baumbach

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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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Defining yourself by your taste is easier than defining yourself by any genuine stance on something.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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I've had times in my life when I really haven't been able to figure myself out.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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Wes Anderson's films, 6-year-olds are crazy about them.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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I've always liked working with friends or, you know, people I have outside relationships with.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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I really like my first movie a lot, Kicking and Screaming. I think it's a - I'm very pleased and proud of that movie, but it wasn't the - it wasn't Citizen Kane right out of the box, you know? It wasn't Sex, Lies and Videotape.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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