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It's always really special to be at the New York Film Festival, and always a real privilege.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
York
Special
Film
Real
Really
Always
Festival
Festivals
Privilege
More quotes by Noah Baumbach
When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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I like having associations with locations beyond their meaning for the specific movie.
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I read all the time. Sometimes I get asked if I've thought about writing a novel.
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I think anxiety is dangerous, but it makes you think it's your friend.
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I'm interested in music as an extension of character.
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Dance is a profession with an expiration date for many people.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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It's near impossible to make a movie in black and white in the system.
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I think I was going through a lot of change at 27, but I didn't know it was happening until it was over.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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I love black-and-white movies that are about contemporary subjects.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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Friends of friends had bands in college or in their early 20s and had a moment where they had some kind of interest from a record label or manager. It's always interesting how people handle those decisions and those moments.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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