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I love black-and-white movies that are about contemporary subjects.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Subjects
Movies
White
Black
Love
Contemporary
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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I'm a huge proponent of therapy and analysis, but it's something that, in a nonprofessional way, can be abused.
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I think I was going through a lot of change at 27, but I didn't know it was happening until it was over.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I think I've always been drawn to the notion of talk as cinematic.
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Will Ferrell's made a lot of brilliant movies.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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Wes Anderson's films, 6-year-olds are crazy about them.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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I think anxiety is dangerous, but it makes you think it's your friend.
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It's kind of a crazy art form, movies, in that you have to get it right the day you do it, generally.
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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
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It's kind of major, learning to drive. I feel like it kicked up other stuff in my life.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I'm interested in music as an extension of character.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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Being articulate, my parents could make anything sound reasonable.
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