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I love black-and-white movies that are about contemporary subjects.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Contemporary
Subjects
Movies
White
Black
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I've had times in my life when I really haven't been able to figure myself out.
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It's kind of a crazy art form, movies, in that you have to get it right the day you do it, generally.
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I think anxiety is dangerous, but it makes you think it's your friend.
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When I start a movie, there will be certain films that I watch again just because the vibe seems right.
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It's near impossible to make a movie in black and white in the system.
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There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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I try to write 'and it's all very funny' after each scene description so that the reader can imagine the movie in their head.
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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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I'm interested in music as an extension of character.
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Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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I like having associations with locations beyond their meaning for the specific movie.
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Wes Anderson grew up in Houston, and he and I talk about Manhattan in similar ways, as a kind of fantasy world.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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I live in Manhattan now, because, in a way, it was my fantasy.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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