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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
Noah Baumbach
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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Reason
Feel
Feels
Critical
Starting
Movie
Start
Often
More quotes by Noah Baumbach
I think sometimes bad behaviour can be liberating for certain people. They need to behave badly to find themselves - to go off path to find their path. You see it with kids all the time: They're testing boundaries, and I think that's healthy.
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There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
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I suppose some studio executive would say it's death for a comedy if people aren't all laughing in the same places, but I find with my movies that people laugh in very different places. I can't control it.
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I was late to the Knicks. My dad was a big fan. But I first started watching baseball I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
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Dance is a profession with an expiration date for many people.
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I think I've always been drawn to the notion of talk as cinematic.
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I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
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I like to try to keep things as relaxed and easy as possible. I mean, movies generally attract a lot of people who like to cause fires, so they can later try to put them out. But I don't like that kind of thing.
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I've had times in my life when I really haven't been able to figure myself out.
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I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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I do think it's a very good way to describe what a great actor does. You're both acknowledging the authority of the director and the necessity of the actor to push back and find their own voice.
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Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.
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I do like having books on my shelves. I do value that life.
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[Shwing] the really naked stuff I've dealt with in my own life, my own therapy and relationships - for me it just feels like a film I'm really proud of.
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It's kind of a crazy art form, movies, in that you have to get it right the day you do it, generally.
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I kind of live like a writer. I get up and I write. I've done that my whole life.
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I've always liked working with friends or, you know, people I have outside relationships with.
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I guess I probably took New York for granted. Growing up, playing in the street, going down to the Avenue to the record store and to the grocery store and stuff like that.
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