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I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.

Noah Baumbach

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Noah Baumbach
Age: 55
Born: 1969
Born: September 3
Film Director
Film Producer
Screenwriter
Writer
Brooklyn
New York
Computer
Actually
Happens
Find
Writing
Notebook
Carry

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I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
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I read all the time. Sometimes I get asked if I've thought about writing a novel.
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When I meet certain filmmakers, sometimes you sit down and you do have some kind of shorthand. It can be fun to see them as someone who has been through similar experiences, but also as someone who just loves film. You can talk with them about films in a way that feels really free.
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I've had times in my life when I really haven't been able to figure myself out.
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Dance is a profession with an expiration date for many people.
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I'm sure I've said some pretty bad pick-up lines.
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That's the nice thing about collaborating with someone: Your work becomes a conversation.
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It's nice being friends over a period of time with people whose music you like so much, or other filmmakers, seeing people change, go through trials
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It's near impossible to make a movie in black and white in the system.
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I think anxiety is dangerous, but it makes you think it's your friend.
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I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
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Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, Let's find some songs now! after we have a finished film.
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I'm curious how people build up the codes that they live their life by, and how they come to think that that's the best way for them to function.
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Will Ferrell's made a lot of brilliant movies.
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When I make a movie, I have both a specific and vague, amorphous dream idea of what the movie is going to be. Of course, I don't actually know what it's going to be, but I'm still striving to get to some place with it.
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How you start the movie is critical. And how often you feel that there's no reason for how it's starting.
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I don't like when you necessarily know that this is the end of the movie. I like when a movie ends abruptly. You go through this, and some of the scenes are uncomfortable, and some are funny - and then suddenly it's over.
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Anyone who's putting money into your movie would always rather you cast well-known people.
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I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
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I like shooting in New York because I have such a connection to the city. I have so many memories there.
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