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Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Make
Novel
Part
Might
Firsts
First
Uncover
Whole
Symmetry
Writing
Reveal
Work
Connections

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And so he did the hardest thing he’d ever done in his life: he picked up his hat and walked away.
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. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.
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Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.
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After she left everything fell apart. No Jew was safe. There were rumors of unfathomable things, and because we couldn't fathom them we failed to believe them, until we had no choice and it was too late. p 8
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What interests me very much as a writer is the ability for writing to have our lives to be occupied so vividly by others. I think that's what we long for as writers.
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Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
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All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist
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Holding hands, for example, is a way to remember how it feels to say nothing together.
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When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
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Only now that my son was gone did I realize how much I'd been living for him. When I woke up in the morning it was because he existed, and when I ordered food it was because he existed, and when I wrote my book it was because he existed to read it.
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. . . she gave him one of those broad smiles she reserved for strangers, as if she were aware of being able to pass, in their eyes, for an ordinary woman.
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Then he almost but didn't say the two sentence he'd been meaning to say for years: part of me is made of glass, and also, I love you
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I think in the whole field of questions about what we take to be real, one of those questions is about the self. When you talk about the self we're always talking about whether it's a construction and it's a construction we're always in the process of working on. I don't think that work ever ends, to some degree.
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He died alone because he was too embarrassed to phone anyone.
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I'm not immune to the readers' desires. Sometimes they are my own, because I'm a reader, too. The readers' desire to know what really happened and what didn't. To have a glimpse into what's really the author and what isn't. I think we all have that and I wonder about what it means.
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I have a very strong sense of architecture in my novels. But at first it's sometimes like building a doorknob before you have a door, and a door before you have a room.
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I smiled back, the importance of manners, my mother always said, is inversely related to how inclined one is to use them, or, in other words, sometimes politeness is all that stands between oneself and madness.
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At the most simplistic level physicists tell us that what we see as reality is not actually accurate. A rock looks solid to us but it's full of empty space and atoms moving and we see it as solid because we need to because it helps us survive, right? Survival being our goal. You can extrapolate that to many other things.
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Empty teacups gathered around her and dictionary pages fell at her feet.
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The price we paid for the volumes of ourselves that we suffocated in the dark.
Nicole Krauss