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I scowled at the world. And the world scowled back. We were locked in a stare of mutual disgust.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Locked
Staring
Mutual
Back
World
Scowled
Disgust
Stare
Disgusting

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David Grossman may be the most gifted writer I've ever read. [To the End of the Land is] powerful, shattering, and unflinching. To read it is to have yourself taken apart, undone, touched at the place of your own essence.
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Sometimes I get the feeling that we're just a bunch of habits. The gestures we repeat over and over, they're just our need to be recognized. Without them, we'd be unidentifiable. We have to reinvent ourselves every minute.
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Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
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All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist
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If I had a camera,' I said, 'I'd take a picture of you every day. That way I'd remember how you looked every single day of your life.
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At the most simplistic level physicists tell us that what we see as reality is not actually accurate. A rock looks solid to us but it's full of empty space and atoms moving and we see it as solid because we need to because it helps us survive, right? Survival being our goal. You can extrapolate that to many other things.
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I read like an animal. I read under the covers, I read lying in the grass, I read at the dinner table. While other people were talking to me, I read.
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. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.
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In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
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I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.
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One is always changing. I don't want to write the same book and I couldn't, because I'm a different person.
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...larger than life...I've never understood that expression. What's larger than life?
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There were many things they simply didn't talk about: between them, silence was not so much a form of evasion as a way for solitary people to exist in a family.
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That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
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I have a very strong sense of architecture in my novels. But at first it's sometimes like building a doorknob before you have a door, and a door before you have a room.
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I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect.
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There's no match for the silence of GOD.
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The price we paid for the volumes of ourselves that we suffocated in the dark.
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He died alone because he was too embarrassed to phone anyone.
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Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.
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