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I take almost no notes when I write. I have one notebook - this old green leather notebook that my dad gave me a decade ago.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Dad
Green
Gave
Almost
Notebook
Write
Leather
Take
Decade
Writing
Decades
Notes

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I have a very strong sense of architecture in my novels. But at first it's sometimes like building a doorknob before you have a door, and a door before you have a room.
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Every year, the memories I have of my father become more faint, unclear, and distant. once they were vivid and true, then they became like photographs, and now they are more like photographs of photographs.
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What interests me very much as a writer is the ability for writing to have our lives to be occupied so vividly by others. I think that's what we long for as writers.
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Then he almost but didn't say the two sentence he'd been meaning to say for years: part of me is made of glass, and also, I love you
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When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
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One is always changing. I don't want to write the same book and I couldn't, because I'm a different person.
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When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
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I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)
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At the most simplistic level physicists tell us that what we see as reality is not actually accurate. A rock looks solid to us but it's full of empty space and atoms moving and we see it as solid because we need to because it helps us survive, right? Survival being our goal. You can extrapolate that to many other things.
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All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist
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I finally understood that no matter what I did, or who I found, I-he-none of us-would ever be able to win over the memories she had of Dad, memories that soothed her even while they made her sad, because she'd built a world out of them she knew how to survive on even if no one else could.
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There's no match for the silence of GOD.
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Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
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There are times when the kindness of strangers only makes things worse because one realizes how badly one is in need of kindness and that the only source is a stranger.
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Even among the angels, there is the sadness of division.
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When you're younger, it's all theoretical. It's all potential. As you get older, it becomes actual, and your life gets filled with unexpected complexity some of it asked for, and some of it not. It becomes richer, I find.
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Our kiss was niticlimactic. It wasn't that the kiss was bad, but it was just a note of punctuation in our long conversation, a parenthetical remark made in order to assure each other of a deeply felt agreement, a mutual offer of companionship, which is so much more rare than sexual passion or even love.
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For me, the most powerful way to write about something is through the absence of it. Rather than writing about what it was to become a new mother, I wrote, for example, a father facing death and addressing his estranged son about the regrets of his relationship.
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In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
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Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
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