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I take almost no notes when I write. I have one notebook - this old green leather notebook that my dad gave me a decade ago.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Green
Gave
Almost
Notebook
Write
Leather
Take
Decade
Writing
Decades
Notes
Dad

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Empty teacups gathered around her and dictionary pages fell at her feet.
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. . . I would have let him go one finger at a time, until, without his realizing, he'd be floating without me. And then I thought, perhaps that is what it means to be a [parent] - to teach your child to live without you.
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When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
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All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist
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He learned to live with the truth. Not to accept it, but to live with it.
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And so he did the hardest thing he’d ever done in his life: he picked up his hat and walked away.
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Sometimes I thought about nothing and sometimes I thought about my life. At least I made a living. What kind of living? A living. It wasn't easy. I found out how little is unbearable.
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Wittgenstein once wrote that when the eye sees something beautiful, the hand wants to draw it. I wish I could draw you.
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So many words get lost. They leave the mouthand lose their courage, wandering aimlessly until they are swept into the gutter like dead leaves. On rainy days you can hear their chorus rushing past.
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Now we'd known each other for two years, the side of my calf was touching his shins, and his stomach was against my ribs. He said, I don't think it's end of world to be my girlfriend. I opened my mouth, but nothing came out. It took seven languages to make me it would be nice if I could have spoken just one.
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Part of the work of writing a novel is to uncover the symmetries or connections that make it whole, which might not reveal itself at first.
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Every year, the memories I have of my father become more faint, unclear, and distant. once they were vivid and true, then they became like photographs, and now they are more like photographs of photographs.
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What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation.
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Sometimes I forget that the world is not on the same schedule as I. That everything is not dying, or that if it is dying it will return to life, what with a little sun and the usual encouragement.
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Later - when things happened that they could never have imagined - she wrote him a letter that said: When will you learn that there isn't a word for everything
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I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)
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I have a very strong sense of architecture in my novels. But at first it's sometimes like building a doorknob before you have a door, and a door before you have a room.
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We search for patterns, you see, only to find where the patterns break. And it’s there, in that fissure, that we pitch our tents and wait.
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That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
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The fact that you got a little happier today doesn't change the fact that you also became a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and saddest you've ever been in your whole life.
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