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The price we paid for the volumes of ourselves that we suffocated in the dark.

Nicole Krauss

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Nicole Krauss
Age: 50
Born: 1974
Born: August 18
Author
Novelist
Writer
Manhattan borough
New York City
Paid
Dark
Suffocated
Volumes
Volume
Price

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The fact that you got a little happier today doesn't change the fact that you also became a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and saddest you've ever been in your whole life.
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Only later did I come to understand that to be a mother is to be an illusion. No matter how vigilant, in the end a mother can't protect her child - not from pain, or horror, or the nightmare of violence, from sealed trains moving rapidly in the wrong direction, the depravity of strangers, trapdoors, abysses, fires, cars in the rain, from chance.
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I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in.
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I like to think the world wasn't ready for me, but maybe the truth is that I wasn't ready for the world. I've always arrived too late for my life.
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One is always changing. I don't want to write the same book and I couldn't, because I'm a different person.
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Even among the angels, there is the sadness of division.
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When I got older I decided I wanted to be a real writer. I tried to write about real things. I wanted to describe the world, because to live in an undescribed world was too lonely.
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There was no one to call me to bed, no one to demand that the rhythms of my life operate in a duet.
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David Grossman may be the most gifted writer I've ever read. [To the End of the Land is] powerful, shattering, and unflinching. To read it is to have yourself taken apart, undone, touched at the place of your own essence.
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The accolades, just like the scrapes and bruises, fade in the end, and all you're left with is your ambition.
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There were many things they simply didn't talk about: between them, silence was not so much a form of evasion as a way for solitary people to exist in a family.
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We met each other when we were young, before we knew enough about disappointment, and once we did we found we reminded each other of it.
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She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them.
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I smiled back, the importance of manners, my mother always said, is inversely related to how inclined one is to use them, or, in other words, sometimes politeness is all that stands between oneself and madness.
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You can't imagine how hard I am on myself. Nothing pummels me like my own doubts, the feeling of how far I still have to go.
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For me, the most powerful way to write about something is through the absence of it. Rather than writing about what it was to become a new mother, I wrote, for example, a father facing death and addressing his estranged son about the regrets of his relationship.
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Don’t you see?” I said. “He could change every detail, but he couldn’t change her.” “But why?” His obtuseness frustrated me. “Because he was in love with her!” I said. “Because, to him, she was the only thing that was real.
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When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.
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Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.
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In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
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